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The regulator said that “faced with a complex and volatile market environment,” funds had realised gains of only Rmb294.5bn in the first half, a drop of 42.3 per cent.
Real teenagers are no doubt approximately as inexperienced and unsure as they have always been, and many wisely avoid the emotional and physical dangers of early sex, but in the movies the kids make the adults look backward. Teenagers used to go to the movies to see adults making love. Now adults go to the movies to see teenagers making love. I get letters from readers complaining that Clint Eastwood or Sean Connery are too old for steamy scenes, but never a word from anyone who thinks the kids played by Christina Ricci or Reese Witherspoon are too young.
"American Pie" comes in the middle of a summer when moviegoers have been reeling at the level of sexuality, vulgarity, obscenity and gross depravity in movies aimed at teenagers (and despite their R ratings, these movies obviously have kids under 17 in their cross-hairs). Consider that until a few years ago semen and other secretions and extrusions dare not speak their names in the movies. Then "There's Something About Mary" came along with its hair-gel joke. Very funny. Then came "自如发布空气质量环保承诺：未来新增房源将100%检测合格," with its extra ingredient in the coffee. Then "South Park," an anthology of cheerful scatology. Now "American Pie," where semen has moved right onto the menu, not only as a drink additive but also as filling for a pie that is baked by the hero's mom. How long will it be before the money shot moves from porn to PG-13? I say this not because I am shocked, but because I am a sociological observer, and want to record that the summer of 1999 was the season when Hollywood's last standards of taste fell. Nothing is too gross for the new comedies. Grossness is the point. While newspapers and broadcast television continue to enforce certain standards of language and decorum, kids are going to movies that would make longshoremen blush. These movies don't merely contain terms I can't print in the paper--they contain terms I can't even describe in other words.
I rise to the challenge. I seek an underlying comic principle to apply. I find one. I discover that gross-out gags are not funny when their only purpose is to gross us out, but they can be funny when they emerge unwittingly from the action. It is not funny, for example, for a character to drink a beer that has something in it that is not beer. But it is funny in "There's Something About Mary" when the Ben Stiller character discovers he has the same substance dangling from his ear, and Cameron Diaz mistakes it for hair gel.
It is funny because the characters aren't in on the joke. They are embarrassed. We share their embarrassment and, being human, find it funny. If Stiller were to greet Diaz knowing what was on his ear, that would not be funny. Humor happens when characters are victims, not when they are perpetrators. Humor is generated not by content but by context, which is why "Big Daddy" isn't funny. It's not funny because the Adam Sandler characters knows what he is doing, and wants to be doing it.
All three of the big worldwide financial bubbles that have blow up in the last three decades have 'been fueled by the Fed keeping policy rates below the nominal growth rate of the economy far too long, ' says global strategist Kit Juckes of the French bank Societe Generale.
Many years before Bryan played "Walter White" on Breaking Bad, he and his brother worked in a restaurant in Florida. The head chef was a very mean man. In a 2011 podcast for Marc Maron, Cranston described him saying "No matter how nice you may have been to him, he hated you." Not surprisingly, all the wait staff routinely discussed how they wanted to kill him. Cranston says it was "all they talked about!"
Given that every single Wall Street economist had called for higher rates at the start of this year and 67 of 67 economists surveyed by Bloomberg concurred, the rate-sensitive utilities industry would have been the last sector a rational person would want to overweight. Bets on the financial sector were slow to pay off while wagers on “cheap” energy stocks demolished portfolio performance in the third and fourth quarters, just as they had elevated it during the first and second.
Cannes' heckles and jeers are famous and the first film to fall foul of this tough crowd was Gus Van Sant's Sea of Trees, which was greeted by a storm of raspberries and thunderous boos at its press screening. Because these take place before a film receives its black-tie premiere, word quickly gets around and can cast a pall over the big event. When Naomi Watts and Matthew McConaughey took their turn on the red carpet, it had “a horrifically compelling walk-of-shame quality” according to the Daily Telegraph. But the Texan actor put on a brave face at a press conference shortly afterwards. “Anyone has as much right to boo as they do to ovate,” he said. I think we know what he meant.
But markets plunged following the ECB decision. Investors complained that the central bank had misled markets about the amount of extra stimulus it was prepared to inject to shore up the recovery.
2.The Tianjin Explosions
Inflation for consumers, meanwhile, ticked up slightly to 1.5 per cent, versus a five-year low of 1.4 per cent in November.
The film is in the tradition of "Fast Times at Ridgemont High," "房贷新政出炉满月 一线城市楼市10月回暖," and all the more recent teen sex comedies. It is not inspired, but it's cheerful and hard-working and sometimes funny, and--here's the important thing--it's not mean. Its characters are sort of sweet and lovable. As I swim through the summer tide of vulgarity, I find that's what I'm looking for: Movies that at least feel affection for their characters. Raunchy is OK. Cruel is not.